TED claims to have “ideas worth sharing” and is the best TV alternative on the internet. Some of the worlds most effective and impressive people show up to give short talks. The attendees are as much an attraction as the speakers — and the speakers are none too shabby — this year the talks will be “based on the theme “The Big Questions” and feature Al Gore, Craig Venter, Amy Tan, Karen Armstrong, Yves Behar, Robert Ballard, Bob Geldof, Walter Isaacson, Isaac Mizrahi, Ben Zander and 40 more of the world’s most insightful and inspiring speakers.” Given that, is it any big surprise that a main hall pass is being auctioned off on e-bay going for $33,535?
Anyone who has ever thought that numbers were hard to make interesting should watch these 2 talks by Hans Rosling – or if you just want to understand more about how the world is going — are things slithering down a sewer or getting better? And how are they ending up the way they are?
If numbers (even incredibly vibrant and important ones) aren’t your thing, just go to http://www.ted.com and pick any of the amazing videos — short talks by people who are actually solving and understanding the real problems of the world. Watch enough and you’ll realize that they are all true, even when contradictory. Watch them all and you won’t be the same person.
One video that I watched, by Erin McKean, about dictionaries, is described thusly:
Is the beloved paper dictionary doomed to extinction? When does a made-up word become real? And could you use “synecdochical” in a sentence, please? In this infectiously exuberant talk, leading lexicographer Erin McKeanlooks at the many ways in which today’s print dictionary is poised for transformation in this internet era. http://www.ted.com/index.php/talks/view/id/161
Her blog, which I only read occasionally, is here: http://www.dictionaryevangelist.com/ Here’s an excerpt from a recent posting, to give you the flavor:
My take (and yes, I know it’s self-serving, in that I make dictionaries) is that, in belletristic writing, when presented with an otherwise-equal choice between a fun, unusual word, and a boring, commonplace word, you should always choose the unusual one. Why deny your readers the “aha!” moment of finding a perfectly apt, elegantly descriptive word?
(Of course, I also think “when in doubt, wear orange,” so you perhaps should take this with a grain of salt.)
Literary writing is a way to introduce readers not just to facts and ideas and emotions but to beautiful words: imagine writing a guidebook to a place that left out the best restaurants because they weren’t on the subway line … if something is worthwhile, people will find a way to get there. If a word is perfect, people will figure it out.
I am NOT suggesting that technical or workaday writing should be full of fifty-cent words; “This way to the egress” is a scam, not an invitation to learning. (Or, at least, not an invitation to learning that is received gratefully!) But literature, long-form journalism, and essay writing allow for more lexical scope, and you should take advantage of it, to the best of your ability. Why not?